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CHOOSE YOUR LENS

three angles, three logics

OVERVIEW · CLARITY · PATTERN

HIGH LENS

from distance: the outline is simple, the noise irrelevant.

BALANCE · CONTEXT · FLUX

MID LENS

in between: nothing is fixed, every edge negotiates.

DETAIL · NOISE · SUBTEXT

GROUND LENS

close-up: detail screams, sense slows down.

PERSPECTIVE WRITES OUTCOME

shift the lens, the story reorders.

perception edits the script

dual sight tool